30 September 2024
I have kept much of this work hidden and silent until I see all. This is not for everyone.
What I present here is 100% Documented according to Archeologists, Scientists, and Evidence.
Where I present my conclusions, I make it very clear that those moments are my Hypothesis/Conclusions. At this moments, you take the time you need to make your own Conclusions.
Likewise, I have done 2 years of research, taking in Stories and Visions of hundreds of people nearing 1,000 at this point. At the stories have Common Denominators.
The Common Denominators of the Visions and Stories align with 5 Core Religions/Mythologies :
- Zoroastrian and Ancient Persia
- The Ancient Religion of Mesopotamia
- The Irish Invasion of The Tuathe De Dannon
- Norse Mythology
- Ancient Greek Mythology, which is a Late Adaption of Mesopotamia
In short, The Visions people are experiencing in 2024 are variations of the 5 Origin Myths that date back to 4,000 BCE and 10,000 BCE, all of which predate any and all evidence of Christianity (1st Century BCE), Judaism (3rd century BCE), and Islam (7th Century CE).
One thing that is well documented — to the point of having an actual name for this called Mesopotamian Naru Literature — is the practice of writing a pseudo-history in the present to make it look like a Prophecy or Origin took place that didn’t.
Mesopotamian Naru Literature 2nd millennium BCE
https://www.worldhistory.org/Mesopotamian_Naru_Literature/
Mesopotamian Naru Literature was a literary genre, first appearing around the 2nd millennium BCE, which featured a famous person (usually a king) from history as the main character in a story that most often concerned humanity’s relationship with the gods. These stories became very popular and, in time, seem to have replaced the actual historical events in the minds of the people.
The author would have constructed the narrative to place the events in the past in order to allow for a ‘prophetic vision’ in which the present king would come to restore peace and order to the city by bringing home the statue of the god. This form of narrative was commonplace in the genre now known as Mesopotamian Naru Literature where historical events or individuals were treated with poetic license in order to make a point.